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Critical Insights: Williams, Tennessee

Table of Contents

On Tennessee Williams




Biography of Tennessee Williams




The Paris Review Perspective




The Critical Reception of the Works of Tennessee Williams




Tennessee Williams on America




“Getting the Colored Lights Going”: Expressionism in Tennessee Williams’s A Streetcar Named Desire




Mendacity on the Stage: “Lying and Liars” in Cat on a Hot Tin Roof




A Gallery of Witches




Culture, Power, and the (En)gendering of Community: Tennessee Williams and Politics




Deranged Artists: Creativity and Madness




Flying the Jolly Roger: Images of Escape and Selfhood in Tennessee Williams’s The Glass Menagerie




“Fifty Percent Illusion”: The Mask of the Southern Belle in Tennessee Williams’s A Streetcar Named Desire, The Glass Menagerie, and “Portrait of a Madonna”




Williams in Ebony: Black and Multi-racial Productions of A Streetcar Named Desire




“Something Cloudy, Something Clear”: Homophobic Discourse in Tennessee Williams




“sneakin’ and spyin’” from Broadway to the Beltway: Cold War Masculinity, Brick, and Homosexual Existentialism




“Collecting Evidence”: The Natural World in Tennessee Williams’ The Night of the Iguana




Red Devil Battery Sign: An Approach to a Mytho-Political Theatre




Tennessee Williams’ Out Cry in The Two-Character Play




Peeping Tom: Voyeurism, Taboo, and Truth in the World of Tennessee Williams’s Short Fiction




“The Transmutation of Experience”: The Aesthetics and Themes of Tennessee Williams’s Nonfiction




Chronology of Tennessee Williams’s Life




Works by Tennessee Williams




Bibliography