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Critical Insights: As You Like It

Table of Contents

Contents



Exploring As You Like It, Robert C. Evans


As You Like It and the Environment of Comedy, Kent Cartwright


Biography of William Shakespeare, Robert C. Evans


Critical Contexts



Shakespeare’s Employment of the Convention of Self-Addressed Speech in As You Like It: An Empirical Investigation, James Hirsh


Recent Critical Approaches to Shakespeare’s As You Like It, Melissa Anderson


Lost and Found in the Forest of Arden, Edwin Wong


Introductions to Important Recent Editions of Shakespeare’s As You Like It: A Comparative Approach, Kate Bossert


Critical Readings



Wrestling with the World: Physical and Verbal Struggle in As You Like It, Nicolas Tredell


Insults and Teasing in Shakespeare’s As You Like It, Robert C. Evans


Time and Timelessness in Shakespeare’s As You Like It, Edwin Wong


“What marriage is”: De Praesenti Vows in Shakespeare’s As You Like It, Brandon Schneeberger


“The courtesy of nations allows you my better”: The Household and Civil Governance in As You Like It, Matthew M. Thiele


Shakespeare’s Socratic Rosalind, Christopher Baker


Many Parts: Performance and Identity in As You Like It, Nicolas Tredell


Cynicism Subverted in the “All the world’s a stage” Scene of As You Like It: Shakespeare’s Design and Post-Renaissance Adaptations, James Hirsh


“All the World’s a Stage”: Examining Seven Filmed Versions of Shakespeare’s Famous “Seven Ages of Man” Speech, Robert C. Evans


Critical Responses to Kenneth Branagh’s Filmed Version of Shakespeare’s As You Like It, Eric J. Sterling


Resources



Chronology of William Shakespeare’s Life


Works by William Shakespeare


Bibliography


About the Editor


Contributors