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Critical Insights: Hurston, Zora Neale

Table of Contents

Table of Contents: Critical Insights: Zora Neale Hurston




About This Volume




On Zora Neale Hurston: Fictionalizing Funerals in Zora Neale Hurston’s Their Eyes Were Watching God




Biography of Zora Neale Hurston




Moving Away from the Reactionary: Regional Mobility in Zora Neale Hurston’s Seraph on the Suwanee




Janie in the Sun: Invoking Hurston’s Caribbean Travels in Tell My Horse




Mrs. Turpin and Mrs. Turner: Foolish Pride in Flannery O’Connor’s “Revelation” and Zora Neale Hurston’s Their Eyes Were Watching God




Race and Patronage: Critical Receptions of Hurston’s Relationship with Charlotte Osgood Mason




The Gender Mountain: The Architecture of Male-Female Relationships in Hurston’s Short Fiction




“The Country in the Woman”: Three Forgotten Fictions by Zora Neale Hurston




African Elements in the Folktales of Zora Neale Hurston’s Mules and Men




Dance as a “Feather-Bed Resistance” in Zora Neale Hurston’s Mules and Men




“Is It Not a Riot in All That [S]he Doeth?”: Embracing Performativity in Zora Neale Hurston’s Dust Tracks on a Road?




Conservative or Visionary: The Journalistic Career of Zora Neale Hurston




Signifyin(g) Black and White Speech in Zora Neale Hurston’s Seraph on the Suwanee




Seraph on the Suwanee: Hurston’s “White Novel”




Zora Neale Hurston as Womanist




Adaptations of Hurston’s Writings for Children and Hurston in Historical Novels for Young Readers




“Another Instance of Our Thoughts Clicking”: Artistic Passion in Zora Neale Hurston’s Letters to Langston Hughes




Chronology of Zora Neale Hurston’s Life




Works by Zora Neale Hurston




Bibliography




About the Editor




Contributors